ANGUS is a real-time voice transformation tool able to simulate cues of arousal/roughness on arbitrary voice signals with a high degree of realism. Vocal roughness is generated by highly unstable modes of vibration in the vocal folds and tract, which result in sub-harmonics and nonlinear components which are not present in standard phonation. We propose to simulate this physiological mechanism using multiple amplitude modulations driven by the fundamental frequency of the incoming sound.
New paper out this month in PNAS, in which we use new audio software (CLEESE) to deploy reverse-correlation in the space of speech prosody, and uncover robust and shared mental representations of trustworthiness and dominance in a speaker’s voice. The paper is open-access, data and analysis code freely available at https://zenodo.org/record/1186278 and the CLEESE software is open-source and available as a free download here.
Australia Science Channel: https://australiascience.tv/how-to-make-a-good-impression-its-not-what-you-say-its-how-you-say-it/
The CREAM lab organizes a short, impromptu workshop on the biology, cultural history, musicality and acoustic of !screams!, to be held in IRCAM, Paris, on Thursday 22nd June, 2-5pm. The workshop will consist of four invited talks, followed by a discussion around drinks and cakes.
CREAM organise un petit séminaire impromptu sur la biologie, l’histoire culturelle, la musicalité et l’acoustique des !CRIS!, il aura lieu à l’IRCAM le Jeudi 22 Juin de 14h à 17h. Le séminaire sera constitué de quatre présentations suivies par une discussion autour de quelques boissons et gâteaux.
Date: Thursday 22nd June 2017, 2-5pm
Place: Stravinsky Room, IRCAM, 1 Place Stravinsky, 75004 Paris.
Attendance: free, subjected to seat availability.
Local organizers: Louise Goupil (firstname.lastname@example.org) , JJ Aucouturier (email@example.com)
C.L.E.E.S.E. (Combinatorial Expressive Speech Engine) is a tool designed to generate an infinite number of natural-sounding, expressive variations around an original speech recording. More precisely, C.L.E.E.S.E. creates random fluctuations around the file’s original contour of pitch, loudness, timbre and speed (i.e. roughly defined, its prosody). One of its applications is the generation of very many random voice stimuli for reverse correlation experiments, or whatever else you fancy, really.
Exciting news! As of March 2017, DAVID, our emotional voice transformation tool, is available as a free download on the IRCAM Forum, the online community of all science and art users of audio software developped in IRCAM. This new plateform will provide updates on the latest releases of the software, and better user support. In addition, we’ll demonstrate the software at the IRCAM Forum days in Paris on March 15-17, 2017. Come say hi! (and sound all very realistically happy/sad/afraid) if you’re around.
CREAM Lab is hosting a small series of distinguised talks on reverse-correlation this month:
- Wednesday 22nd March 2017 (11:00) – Prof. Fréderic Gosselin (University of Montreal)
- Thursday 23rd March 2017 (11:30) – Prof. Peter Neri (Ecole Normale Supérieure, Paris).
These talks are organised in the context of a workshop on reverse-correlation for high-level audio cognition, to be held in IRCAM the same days (on-invitation-only). Both talks are free for all, in IRCAM (1 Place Stravinsky, 75004 Paris). Details (titles, abstract) are below.
This is a research corpus of 100 improvised musical duets recorded for the paper “Musical friends and foes: The social cognition of affiliation and control in improvised interactions” by JJ Aucouturier and Clément Canonne, Cognition, vol. 161, 94-108, 2017. http://www.sciencedirect.com/science/article/pii/S0010027717300276